When I initially began working on my memoir, I knew that I wanted it to be about minds, as I often feel as though the mind is more important than other aspects of people. I started out with "In love with minds, not faces." Throughout the creative process, I began to realize that the wording could be improved, and I changed "in love" to infatuated. I also changed the punctuation to make the reader pause while reading it. I chose and took the picture, as I felt as though it communicated my love for intellectual minds, by showing a work of philosophy by John Locke. I placed the pen and paper there, as I felt as though, it made the thought seem more profound. I chose "Angelina" for the font, as a handwritten font went along the best with the picture, and helped to make it appear more simplistic, and less complex. I left a space between the two sections, as I wanted the reader to pause, as I felt as though the pause made the message more powerful. It also looked very bunched together and uneven when I placed the two sections of words directly next to each other. Due to all of these different aspects, I felt as though the image and memoir communicated my simple love for minds.
Drafts:
Falling in love with minds daily.
In love with minds, not faces.
In love with minds. Not with faces.
Infatuated with people's minds, not faces.
Obsessed with minds, and varying ideas.
Infatuated with minds. Not with faces.
When I initially began working on my memoir, I knew that I wanted it to be about minds, as I often feel as though the mind is more important than other aspects of people. I started out with "In love with minds, not faces." Throughout the creative process, I began to realize that the wording could be improved, and I changed "in love" to infatuated. I also changed the punctuation to make the reader pause while reading it. I chose and took the picture, as I felt as though it communicated my love for intellectual minds, by showing a work of philosophy by John Locke. I placed the pen and paper there, as I felt as though, it made the thought seem more profound. I chose "Angelina" for the font, as a handwritten font went along the best with the picture, and helped to make it appear more simplistic, and less complex. I left a space between the two sections, as I wanted the reader to pause, as I felt as though the pause made the message more powerful. It also looked very bunched together and uneven when I placed the two sections of words directly next to each other. Due to all of these different aspects, I felt as though the image and memoir communicated my simple love for minds.
Drafts:
Falling in love with minds daily.
In love with minds, not faces.
In love with minds. Not with faces.
Infatuated with people's minds, not faces.
Obsessed with minds, and varying ideas.
Infatuated with minds. Not with faces.